Child of the Morning by Pauline Gedge
A book review
Child of the Morning, first published in 1977, is probably still the best fictional portrayal of Hatshepsut, pharaoh and king of Egypt for over twenty years until her death in 1458 B.C. She fascinates not only because she was one of the rare women to become ruler of Egypt in her own right, but because she was one of Egypt's most successful pharaohs, male or female.
Hatshepsut's victorious military campaigns at the beginning of her reign seem to have ushered in a period of peace, allowing her to restore trade networks disrupted several generations earlier when the Hyksos attacked, which increased Egypt's wealth. She sent a successful expedition to the Land of Punt, which brought back live myrrh trees. She built a magnificent temple complex at Deir el-Bahri, one of hundreds of construction projects she completed.
Such a remarkable woman was probably remarkable from childhood. The novel portrays an intelligent, courageous and determined girl of memorable complexity. "She radiated the unconscious arrogance of royalty," blended with so much charm and compassion that it's easy to see how the affection of her courtiers and subjects could have strengthened her reign. Senmut, the gifted man of common birth who became her chief architect and rose to become her high steward and very likely her closest adviser, may also, some Egyptologists theorize, have been her lover. Gedge adopts this theory, making it the heart of her novel without turning it into historical romance, instead portraying a complicated but loving relationship in which Hatshepsut, above all, cultivates her power as pharaoh.
Since Child of the Morning was first published, new archaeological and historical work has revealed information not available when Gedge wrote it. In particular, the conflicts between Hatshepsut and her successor may have been less serious than portrayed. Even so, it is hard to imagine a more vivid and believable portrayal of Hatshepsut's essential personality and her course to the throne. (1977; new Chicago Review Press edition 2010, 403 pages including a Foreword by Michelle Moran)