The Traitor's Wife by Susan Higginbotham
A book review
In The Traitor's Wife, the compassionate but naive Eleanor de Clare guides us through the tempestuous story of England during the reign of her uncle King Edward II and the early years of his son Edward III's reign. Eleanor married Hugh le Despenser, who after the demise of King Edward II's homosexual lover Piers Gaveston, became his next favorite and a recipient of his largesse. When Queen Isabella and Roger Mortimer wrested control from Edward to rule in the name of his teenaged son, they put Hugh to death as a traitor and imprisoned Eleanor and her children.
The affection between Eleanor and her uncle pervades The Traitor's Wife: "Edward was with his gardener when Eleanor found him. After he gave the man very precise instructions about some rose bushes—for Edward had very definite ideas about what the royal gardens should look like and would not have found life at all amiss if he had been born a gardener instead of a king—he turned to his young niece with his usual sweet smile." Higginbotham portrays Edward II and Piers Gaveston with great sympathy, though without glossing over Edward's failings as a king. Isabella, stunningly beautiful at twelve when she marries the king, is a spoiled, snappish young woman and a vicious, oversexed mature woman. Upon her arrival in England, even Eleanor's beautiful sister experiences "a sense of diminishment."
Higginbotham's meticulous research leads to an information overload in the first half of the novel where it seems as though every marriage, death and change of residence in the characters' extended families is given a paragraph. Midway through, however, the dramatic events of Isabella and Mortimer's cout d'etat convert The Traitor's Wife into a page-turner. In prison, Eleanor struggles not only with the harsh conditions of her confinement and the knowledge that her husband and eldest son are in dire peril, but with decisions that are both risky and morally challenging. (new Sourcebook edition published 2009, 490 pages including an Afterword separating history from fiction)